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Ask An Expert

James Cluer, MW Each issue, we answer questions from our readers. Our knowledgeable experts like James Cluer, MW, and Rhys Pender, MW, are ready and able to answer your wine queries of all sorts — from the basic to the impossible.

ABOUT JAMES CLUER, MW
James Cluer is Master of Wine—one of only three in Canada. He runs Fine Vintage Ltd., a company that offers instruction in the prestigious Wine and Spirit Education Trust (WSET) wine courses. He also publishes James Cluer Selects, a monthly ezine of wine recommendations. James is one of the world's leading wine consultants with clients including airlines, cruise lines and luxury hotel groups.

ABOUT RHYS PENDER, MW
Rhys Pender, who became Canada's youngest Master of Wine in 2010, is a wine educator, consultant, judge, and freelance writer. He contributes regularly to Taste, Wine Access, and Savour magazines.

 

Recently Asked Questions

A: Pairing wine with food is a highly personal exercise and, with experience, everyone who enjoys eating and drinking will discover which matches work best. However, if you are ready to set out on a gastronomical adventure and don’t know where to start, there are some basic guidelines you can follow…

1. Pair regional dishes and wine. For centuries, traditional European countries have planted certain grape varieties and developed particular wine styles to go with their cuisine. It is no coincidence that Piedmontese classics like risotto with shaved white truffles go with Barbaresco, for instance. In the New World, we are just starting to discover the local possibilities. Something just feels right about drinking an Okanagan Pinot Noir with BC wild salmon, doesn’t it?

2. Match the weight of the wine with the weight and intensity of the food. One shouldn’t overpower the other. Bold red wines stand up to heavy red meats and full-flavoured dishes while light whites are better partners for simply adorned white meats and delicate fish. Something in between, like a seared Ahi tuna might be perfect with a medium-bodied red. Keep in mind that cooking method such as roasting, grilling or poaching will affect both the weight and flavour of the food.

3. Complement the flavours in the dish with the wine. You can think of the wine’s flavours in the same way you might think of a sauce or an accompaniment to your main dish. For instance, if you normally squeeze some lemon on your chicken schnitzel, try a tangy Riesling with lots of citrus aromas as a match. Wild berries and game are nice contrasts so why not have a rich blueberry scented Zinfandel with your next bison burger?

4. Consider the reactions between the structural elements in both the food and wine. Chemical and physical reactions between the food and wine can enhance or detract from your experience. Acidity (perceived as sourness) is present in all wines and is essential to refreshing the palate after bites of food. High acid foods like tomato sauce, goat’s cheese and citrus will decrease the perception of sourness in wine, so you will want to pick a wine with lots of juicy acidity like a Chianti or Sauvignon Blanc. On the other hand, sweetness in food can make wine taste even more sour. When finding a match for dessert, therefore, it is a good idea to find a wine that is sweeter than the dish. The tannins in red wine have a favourable reaction with protein, which actually binds with them, causing them to soften. This is one of the reasons a very tannic young red is a great match with steak. And finally, keep in mind that alcohol is perceived as heat on the palate, so it is best to pair very spicy cuisine with lighter alcohol wines. German Riesling is a natural choice!

A: Wine’s ability to age and gain complexity with time in the bottle is one of the aspects that makes it different from other things we eat and drink. While all wines have some ability to retain their delicious characteristics for at least a short period of time, not all get better as they get older. Eventually, every wine will get to a point where it is past its prime. For some wines this might be a year or two. For others, it may be decades.

The main structural components in wine (acid, tannin and alcohol) are what help to preserve it so well. They protect against microbiological spoilage and help to slow down oxidation and other forms of deterioration. These components occur in greater or lesser degrees, depending on factors like climate, grape variety and winemaking. For instance, grapes grown in cooler temperatures tend to have higher levels of acidity and make wines that are more age-worthy than similar ones from warm climates. Cabernet Sauvignons have firm tannins that allow them to age longer than many other reds. Adding distilled alcohol to wines, as is the case with the great fortifieds such as port and sherry, can preserve them for several years.

But structure alone is not enough to allow a wine to actually improve with age. A wine must have enough flavour character to balance the high acid, tannin or alcohol. Otherwise, the aromas will fade away over time and leave only structure. As a wine ages, its primary fruity characteristics change to more tertiary ones. For whites, this may take the form of baked apple or toast flavours. Aged reds develop a bouquet laced with coffee, leather and dried fruit. Generally, wines that are defined by their youthful aromatics (think Sauvignon Blanc or Gewürztraminer) are meant to be enjoyed young. Other wines like Burgundy (both white and red) Bordeaux, Barolo and top Napa Valley Cabernet are better when they have a mixture of fruity aromas and complex developed notes.

By Rhys Pender, MW
Rhys Pender, who became Canada's Youngest Master of Wine in 2010, is a wine educator, consultant, judge, and freelance writer. He contributes regularly to
Taste, Wine Access, Montecristo and Savour Magazines.

The Master of Wine (MW) is recognized as the highest achievable qualification in the wine world. It is an incredibly rigorous undertaking and takes significant devotion in terms of time, finances, mental energy and family support. However difficult it is, the MW journey is an amazing process that provides a unique understanding of the complex world of wine.

The qualification itself is governed by the Institute of Masters of Wine. Based in the United Kingdom, the Institute began in 1955 with qualification available for the British wine trade only. It wasn’t until 1984 that the examination opened to those working outside the trade and then in 1988 went global with the qualification of the first non-British Master of Wine. Currently there are 289 MWs from 23 different countries, four of them Canadian, including BC Liquor Distribution Branch Portfolio Manager, Barbara Philip and regular TASTE contributer, James Cluer.

There is no shortcut to becoming a Master of Wine. Many people begin the journey by taking a series of wine courses such as the Wine and Spirit Education Trust (WSET). These courses aren’t mandatory but a very high level of wine knowledge is essential to even contemplate the MW program. Working through the WSET and completing the WSET Diploma will give you a good start to move on to the MW. Completing all levels of the WSET courses takes at least four years.

Every summer, applications open for the Master of Wine Study Program. On signing up, you must submit a theory and a practical assignment. Yes, “practical” in wine education speak means tasting! You also need a reference from a MW or senior person in the wine industry. Once accepted to the program, the first commitment is to attend a week-long seminar in either Europe, North America or Australia. Current MWs volunteer their time to help students in their studies. It can be a demanding, intense and very intimidating week. More than one student has dropped out during the seminar, already feeling the pressure.

On surviving the first year seminar, you will be assigned a mentor and be required to submit a number of theory assignments. In June you are asked to submit an assignment that is marked by the Institute of Masters of Wine and with feedback from your mentor it is determined whether or not you are ready to progress to second year or be held back to redo year one. If you move on to second year status, your program of events at the next annual seminar will be geared to helping to prepare you for the MW final exam.

The three-day final exam is held around the world on the same dates in June. There are three components to the exam: theory, practical and on passing those, a dissertation. The stress associated with preparing for the exam is considerable as the closer you get to being ready, the more daunting you realize the task actually is. Each day of the exam consists of a practical exam in the morning and a theory exam in the afternoon. In between you are likely sitting in your hotel room preparing, preparing and preparing.

If you pass either the theory portion or the practical portion individually, the following year you only need to complete the other. You get three attempts to complete the second part. If you pass both, you move on to the final component of the MW qualification, the dissertation. The dissertation is a 10,000 word unique piece of research.
It is difficult to convey how strong the emotion is when passing any component of the exam. I remember literally lying on the floor having spasms of relief and joy. But the journey is a difficult one and unless you devote considerable resources to it you are unlikely to pass. I needed to spend at least two hours per day studying, practicing essays, blind tasting and preparing. Obviously you need a very supportive family to make this work. There is also the financial commitment. By the time the fees, travel, accommodation and wine is factored in, it will cost you at least $10,000 per year to pursue. For many the journey can last 10 or more years.

While all this might sound like enough to frighten away even the most devoted wine enthusiast, there is something amazing about becoming an MW. The global MW community is filled with some of the most interesting and inspiring people in the wine world. There is a general passion for wine that is shared with all and there is a great feeling of camaraderie amongst those who have battled successfully through the program.

I hope you stick with it, let your passion drive you and good luck with your pursuit of the MW!
 

The most fun I’ve had in the last 20 years working in the wine trade has definitely been working vintages. I’ve been fortunate to do a few of them in Bordeaux and Australia as well as one in Napa and the Okanagan.

It’s certainly the best way to learn about wine – you can’t learn everything from a book.

My advice would be to pick a country or a winery where they speak your language. You won’t learn much if you can’t understand a word they’re saying. Next, give yourself a minimum of three to four weeks so you can see a good chunk of the process and keep in mind that harvest in the southern hemisphere is in our spring.

To land a job, simply email dozens of producers in the targeted area offering your services. The directories of all the wineries can usually be found on the countrys’ trade association websites.

Wineries often take on additional “cellar rats” at harvest, and if you can show you are keen and reliable, sooner or later someone will take you on. If you offer to work for free the replies come back much faster. Some vineyards will provide accommodation, meals and a small payment. 

The critical thing is to find a winery that will let you move from one task to another. Ideally you’ll get to work in the vineyard sampling grapes, then work the crusher, destemmer and presses, manage ferments, work in the barrel cellar and the lab. That way you’ll maximize your learning experience. Don’t get stuck picking grapes for a month.

Your best bet might be to make friends with a visiting winemaker at a local wine festival. When you’re asking for a job in person you’ll have more chance of success.

Back in the early 1990s, Harry McWatters, the founder of Sumac Ridge winery, was told by all his friends and financial advisors not to buy vineyard land on the Black Sage Bench. They thought he was crazy to pay the asking price of $3,000 per acre. Fast forward 20 years and that same land was worth over $200,000 an acre and had produced some very good wine.

This proves that it’s dangerous to judge whether something is a good idea or not but here are some basic facts about the market. A planted vineyard is currently selling for somewhere between $100,000 and $250,000 per acre. The Naramata Bench and parts of the southern Okanagan are on the higher side and parts of the Similkameen cost less. But you do often get what you pay for.

If you plan on selling the grapes, then you’ll have to find a buyer. Buyers usually pay by the ton, and the price varies according to variety and quality. The average prices paid are published every year by the BC Wine Institute. Growers often count on producing about four to five tons per acre and selling the grapes for $2,000-$3,000 per ton. But both prices paid for grapes and the tonnages grown can be higher and lower than the figures quoted.

So if you had a nice little three acre vineyard planted with a high quality grape and you cropped it at four tons per acre you could probably grow about 12 tons of grapes and might sell them at $2,500 per ton. That would create $30,000 in annual revenue.

But of course, you’ll have various expenses to manage the vineyard, including things like labour, water and sprays. You can reduce expenses by doing some of the work yourself, but otherwise you would have to hire a grape grower to take care of it for you. Expect to pay a vineyard manager somewhere between $4,000 to $6,000 per acre, or somewhere around $15,000 for your three acres, per year.
In theory you should make a small profit, but don’t forget that actually you’ve signed up to become a farmer. The weather is now your partner and in the Okanagan and Similkameen severe frosts and winter freezes can be devastating. There are growers who have lost their entire crops to winter kill in the last few years. No doubt these growers will tell you it’s not a good idea to own a vineyard. Add to that the fact that disease can cause serious problems, severely reducing yields and the market for grapes can fluctuate too. There’s a long list of other risks and dangers of owning a vineyard, but that would probably put you off.

What the analysis doesn’t account for is that this is your dream. Who wouldn’t want to own a vineyard, walk through the rows of vines, tasting grapes in anticipation of the upcoming harvest? It’s magical and it can work financially, because there is no shortage of vineyards in the world.

Just make sure you select a very good vineyard site that minimizes the viticultural risks, ensure it is planted with a grape in high demand, managed by a skillful grower and get a buyer lined up well before harvest. Getting some good advice before you set sail is your first, smart move.

You’re not alone. I’m equally confused when I read some critics’ tasting notes. I wonder how they manage to find so many different flavours, especially in less expensive, less complex wines.

That said, you can train your palate to identify a range of flavours and aromas. The way to do it is to buy fruits, spices, flowers and vegetables and then practice blind tasting and smelling. Close your eyes and ask a friend to choose a fruit, spice or vegetable and hold it under your nose. Focus on trying to identify the items by smell. There are generally accepted descriptors for wine. The “aroma wheel” is a good reference (www.winearomawheel.com) and you can see the typical categories that you can focus on learning. But don’t forget that in a tasting note it is equally important to tell people about the structure of the wine. For example, is it dry, off-dry or sweeter? Is it high or low in acidity, or somewhere in the middle? This is much less subjective and even more helpful to the wine enthusiast than a long string of flavours and aromas in a tasting note.

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